![]() ![]() The old coot seems to relish in the chaos, the dancer is a bit too quiet, and the businessman aggressively interrogates. Even the younger couple begins to suspect one another. ![]() What follows are paranoid accusations between the troopers, the driver, and the passengers-an older couple, a younger couple, a dancer, a businessman, and a wild-eyed coot, with each accusing the other of being a Martian in disguise. The camera then shows words on the saucer: “U.S. ![]() As she smashes the craft, a transmission in English is heard from within: His partner is dead, and the planet is occupied by unstoppable giants. She destroys one invader, and follows the other to the roof, and discovers a classic flying saucer-which she demolishes with a hatchet. But her terror turns into resolve, and she goes on the attack. Small figures, appearing almost robotic in strange pressure suits, attack the woman with sci-fi blasters. Her only problem has been finding enough food to eat-up until the moment she hears noises on the roof of her crude home. The InvadersĪn older woman lives alone in a farmhouse Serling describes in his opening narration as out-of-the-way, “bleak, wasted, dying,” and without electricity or gas. The “humans in zoos” trope has also appeared in Star Trek, Slaughterhouse-Five, and even Planet of the Apes (which starred Roddy McDowell, who plays Conrad, and featured writing by Serling himself). ![]()
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